Besides
the Fletcher’s Corny Dog stand, the “Birds of the World” show was my favorite
part of the Texas State Fair. Alas, as of 2013, the bird show is no more, but I
spent many a memorable hour sitting in the band shell and marveling as Groucho
the parrot sang a pitchy rendition of “How Much is That Doggie in the Window;”
laughing as the red-legged seriema, Sluggo, slammed a rubber lizard, Mr. Bill,
repeatedly on a rock to demonstrate how these birds tenderize their dinner; and
ducking when the Harris’s hawk grazed the heads of the audience in its beeline
from the top of the Texas Star Ferris wheel to the treat-holding trainer below.
One
of the best moments in the show was when they pulled a volunteer out of the
audience and put her in the perfect position to get a photo of the 10-foot
wingspan of a California condor as it soared toward her from the back of the
amphitheater. Just as the enormous bird was approaching, another bird on the
stage escaped its enclosure, causing confusion which ended in the volunteer’s falling
backward into a pool of water, soaking her clothes and hair. Half of the
audience howled with laughter while the other half grimaced in sympathy at this
poor soul whose day and expensive camera were ruined by this soggy mishap.
The
host of the show expressed sympathy through suppressed laughter as he called
one of the trainers to take the volunteer backstage and get her cleaned up. The
hapless volunteer later reappeared on the stage on the way back to her seat,
only to be startled by a runaway bird who chased her back into hiding. By the
end of the show, of course, the “volunteer” took a bow with the rest of the
cast and then began drying her hair and clothes to get ready for the next show
that day.
This
shtick was a part of the “Birds of the World” show for probably the last five
years of its 15-year residency, and it never got old. Of course, after the
first year, the rabid fans like me were in on the joke, but it was fun to watch
the reactions of the audience and the feigned surprise of the host and other
show personnel. They had obviously planned carefully to make this stunt look
completely unplanned.
This
moment of faux mayhem required a cast member in disguise who had to blend in as
a convincing member of the audience and act realistically frightened, two
trained birds behaving as instructed, a latch that appeared to malfunction on
cue, the proper placement of a person by an onstage water feature, a crew who
would respond to the “accident” as if it were truly unexpected, and a host who
could all of this orchestrate this and look believably surprised and horrified
without breaking character. Planning and preparation were crucial to pull this
off.
I
feel like we can learn something about teaching from the bird show’s antics. The
best teachers plan to make aspects of their class appear unplanned. There’s a
difference between “unplanned” and “chaotic,” however. What I think we should
aim for is a degree of spontaneity so we ensure that our instruction has a
feeling of improvised curiosity.
There’s
a big difference, for instance, between saying to your class, “As I was reading
this last night, I found this sentence that I thought was interesting; let’s
look at it,” and handing out a worksheet of sentences for students analyze grammatically.
It seems more spontaneous to say, “I wonder what would happen if we played
around with the word order here,” than it does to display a PowerPoint slide
with sentences to reword. Reading a text aloud yourself seems more authentic
than listening to a recording of someone else reading. Asking students what
they wondered as they were reading the article is more genuine than providing
them with a pre-printed page of questions. Soliciting ideas from students and
modeling the writing of a draft of a paper is more engaging than displaying an
already-written essay on the screen, especially one written by some other
teacher. The read-aloud poem you share with your students becomes more
interesting when you say, “I found this poem I think is really great,” than
when you introduce it by saying, “Turn to page 12 in your poetry packet, and
let’s find today’s Poem of the Day.” And allowing students to share the words
they found challenging in a reading assignment and then to decide which ones
are useful enough to put on a class word wall will increase buy-in better than
giving them a list of important vocabulary words to memorize because the word
wall is their list, not yours.
I
remember chemistry labs in high school where we were simply following a series
of instructions to reach a predetermined outcome. I recall many Q&A
sessions in school where the teacher clearly knew all the right answers already
and was waiting for someone to respond to her predetermined specifications so
that she could feign excitement as she said, “Exactly right! That is the
theme of the story!” Though I know they were abundant, I don’t remember
any worksheets. . . because no one remembers worksheets. Ditto for study
questions. None of these things seemed at all spontaneous or interesting to me
(the student) or to the teacher, who (as I saw it) must have the world’s most
boring job.
The
most memorable moments in school—not coincidentally, also the ones where the
most learning occurred and stuck—were the ones where the teacher exhibited
curiosity along with us, where the outcome didn’t seem predestined, and where
the classroom seemed like a community of learners and discoverers.
Spontaneous
teaching like this takes preparation and planning. Even the most experienced
teachers flop more often than they soar when they try to wing it. Plan your
questions carefully. Rehearse your instructions and explanations. Carefully
orchestrate your openings, transitions, segues, and conclusions. But do what
you can to make all of these things seem fresh and alive to your students—as if
you are experiencing fresh curiosity right along with them as they learn.
Introducing
the phrase “I wonder. . .” into your lessons is one way to begin
That
host of the bird show did the same soggy volunteer routine four times a day
throughout the run of the State Fair year after year, and he never let it
become stale. Each new audience experienced it as if it were an entirely
unplanned accident, which is what made it so brilliant. In the same way, we can
create these brilliant moments of spontaneity in our classrooms with careful
planning and consideration for what the learning experience looks like through
the eyes of the learners.
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